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The Bellamy supernatural theatre thriller book cover by Adrian Gorrissen

The Bellamy

The house remembers.

Filmmaker Lydia Vance and her crew enter the long-condemned Bellamy Theatre to document its past. But a vanished actress has an unfinished performance, and the building may have plans for its new audience.

haunted theatresupernatural thrillertheatre mysteryparanormal suspense
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A stage with a memory

Filmmaker Lydia Vance and her crew arrive at the long-condemned Bellamy Theatre to document its past. What begins as a filming project draws them toward the secrets of a vanished actress and an unfinished performance.

The Bellamy draws its atmosphere from empty auditoriums, darkened wings and the charged silence before a curtain rises. It is haunted theatre fiction in which the playhouse is more than a setting: it is an archive of old performances, backstage secrets and unfinished business.

A theatre that remembers too much

In The Bellamy, the haunted theatre does more than hold a secret. It begins rewriting its own history, drawing a film crew into the traces of performances that should belong to the past.

That premise gives the novel its central unease: a performance can end without everything it sets in motion being finished. The playhouse becomes a place where memory is active, and where discovering what happened may be as unsettling as discovering what the building wants next.

For readers drawn to haunted-house fiction and backstage mysteries, The Bellamy brings the haunting into the theatre itself—where the house may still be waiting for its final audience.

Read an excerpt from The Bellamy

CHAPTER I — Dead Bulbs Over Bellamy

By the time the van rolled to a shuddering stop at the curb, the Bellamy had already made up its mind about them.

Half the bulbs in the marquee were dead, and the rest glowed weak and jaundiced behind dirty glass, enough to spell BELL MY and leave the missing letters to the imagination. In the streetcase, a campaign poster had come loose at one corner; whenever a truck rolled down the avenue, it slapped the glass. The smiling magician on it was split straight through one eye and down his white-gloved hand, as if somebody had tried to cut him out and quit halfway. Weeds had pushed up through the seam at the curb, spreading in a tough gray-green fringe. Over the entrance, one of the carved stone babies had lost its head, and somebody had set a brown beer bottle in the stump of its neck.

Marcus killed the engine. The van coughed once more, petulant and wounded, then went still.

He kept both hands on the wheel. “Tell me again this isn’t trespassing.”

Lydia had the envelope from City Hall in her lap. The paper inside still smelled faintly of toner and the clerk’s spearmint gum. The theatre doors were worn, the gilt around the arch flaked away, and above the old ticket window a black fan of grime spread where a generation of cigarettes had sheltered from the rain.

From the paperback edition of The Bellamy. © 2026 Adrian Gorrissen. Published with the author’s permission.

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